On a December morning in 1970, the King of Rock ‘n Roll showed up on the lawn of the White House to request a meeting with the most powerful man in the world, President Nixon. Starring Academy Award® nominee Michael Shannon as Elvis Presley and two-time Academy Award® winner Kevin Spacey as Richard Nixon, comes the untold true story behind this revealing, yet humorous moment in the Oval Office forever immortalized in the most requested photograph in the National Archives.
Everybody Wants Some it’s like a lost gem of the 1980s when a group of college baseball players navigate their way through the freedoms and responsibilities of unsupervised adulthood.
Proving that slapstick comedy, hot girls, and stoners are ageless, Dazed and confused director, Richard Linklater created a relateable comedy about male bounding and sets it in the 1980s.
A freshmen baseball player experiences the best first three days of college possible.It may look like it came out at the same time as such slapstick comedies as Porky’s and Animal House, but just like those screwball comedies, Everybody wants some is timeless.
The “Sweet bean” movie begins with a sequence of the main character Sentaro (Masatoshi Nagase) walking up to the roof of his apartment building for a cigarette. He walks out of his apartment, up the steps, smokes, walks down the steps, and back into his place. Kawase’s patient camera, keen to silently observe motion and thereby her characters’ interaction with their environment, likens this doubled movement to breathing. The story is shaped by a similar oscillation: that of night and day. It revolves around Sentaro’s small shop, where he sells dorayaki, a mouth-watering Japanese dessert consisting of sweet bean paste (the “an” of the original Japanese title) sandwiched between two pancakes, and it mostly develops through a series of days at the shop.
Following his titanic struggle against General Zod, Metropolis has been razed to the ground and Superman is the most controversial figure in the world. While for many he is still an emblem of hope, a growing number of people consider him a threat to humanity, seeking justice for the chaos he has brought to Earth. As far as Bruce Wayne is concerned, Superman is clearly a danger to society. He fears for the future of the world with such a reckless power left ungoverned, and so he dons his mask and cape to right Superman’s wrongs.
idnight Special is a movie about an eight-year-old boy, who develops some kind of extraordinary power.
An exceptional opening scene kicks off the story, and Nichols makes sure we are alert by forcing us to absorb and assemble the slew of clues flying at us … an Amber alert, cardboard on the windows of a cheap motel, a news report tying us to San Angelo, Texas, duct tape on the peep hole, a duffel bag of weapons, two anxiety-filled men, and a goggled-boy under a white sheet who seems extremely calm in an otherwise hectic environment. We learn a lot, yet many questions remain.
Allegiant is the third movie in The Divergent Series franchise.The film continues exactly from the end of Insurgent to a journey that Tris and Four take to discover what is beyond the wall that surrounds Chicago,an experiment city.
The overwhelming taboo surrounding romantic independence drives The Lobster, the latest low-key, high concept black comedy from Yorgos Lanthimos. In this us-but-slightly-different universe, if you haven’t found your “suitable partner” by a certain age, you’re turned into an animal. The pursuit of love isn’t just aspirational; it’s mandated. It’s also laff-out-loud funny as translated in film’s absolute apathy, which might be oppressively bleak were it not so consistent with its low emotional intelligence. Collin Farrell’s puppy-eyed David has 45 days at a soon-to-be couples’ resort to find his match before he is turned into the titular lobster. The conceit is a winning one, but it’s mostly a dim flashbulb illuminating The Lobster’s wry commentary on the lengths we are willing to go to find that special someone (please slide into these DMs). In an uncluttered look at the conventionally fraught language of love, The Lobster dehumanizes the very myth that separates man from crustacean.
Based on the incredible true story of Jesse Owens, the legendary athletic superstar whose quest to become the greatest track and field athlete in history thrusts him onto the world stage of the 1936 Olympics, where he faces off against Adolf Hitler’s vision of Aryan supremacy. “Race” is an enthralling film about courage, determination, tolerance, and friendship, and an inspiring drama about one man’s fight to become an Olympic legend.