Shane 54 embarked on his solo career just around a year ago, and has since showed off his affinity for creating music that blends nostalgic progressive and contemporary trance elements together with catchy vocals.
“First Time” has already earned the support of Armin van Buuren, who tested the piece out to positive reviews on the most recent ASOT episode on May 18.
“Sexy Bitch” (also known as “Sexy Chick” in clean versions) is a song by French DJ David Guetta recorded for his fourth studio album One Love (2009). The song features vocals from Senegalese-American recording artist Akon. It was released as the second single from One Love internationally. The song was serviced to mainstream and rhythmic crossover radios on 1 September 2009 in the United States, through Astralwerks, together with Capitol Records.
“One More Time” is a song by French electronic music duo Daft Punk, first released as a single on 13 November 2000 and later included in the 2001 album Discovery. It is a French house song featuring a vocal performance by Romanthony that is heavily Auto-Tuned and compressed. The music video of the song forms part of the 2003 animated film, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem.
Era Istrefi, that’s a name you’ll be hearing a lot soon, and if it’s not her name, get familiar with “Bonbon,” the hit record coming straight from Albania. Having grabbed every major label’s attention with her video and the 30 million people that have viewed it till date, shot somewhere in Kosovo, donning a pink fur jacket, and some candy lipstick, surrounded by snow, Era ultimately signed to Ultra/RCA, home to Kygo, and last year’s Billboard #1 “Cheerleader” by Omi.
When people think of cities to find Trance artists, Dallas and Minneapolis usually aren’t the first places that come to mind. However, Omair Mirza alongside Avari are here to change that with their track “Perfect Imperfection”. Omair Mirza brings in the almost nostalgic feeling chords, then dives straight into a hand-raising melody. Pair that with Avari’s vocals, which casts a beautiful and unwinding spell upon your soul, and you have an instant sensation. So amazing, that this track was recently supported by the one and only Markus Schulz in both his GDJB podcast and his Ultra ASOT set! A perfect Imperfection indeed.
“Killing Strangers” is a song by American rock band Marilyn Manson from their ninth studio album, The Pale Emperor (2015). It was written and produced by the eponymous lead singer and Tyler Bates, and was first released when it appeared in Keanu Reeves’ 2014 film John Wick.
Someone track down his cousin: Any fan of Kanye knows his muse works in fits and starts, and his output can be as erratic as a mood swing. Choosing to follow the dour “Real Friends” with “No More Parties in L.A.” is yet another exercise in extremes, which suits him just fine: a self-described “38-year-old 8-year old,” Ye chases after what’s motivating him no matter how eccentric the inspiration. Here he mentions “I was uninspired since Lauryn Hill retired” and “I know some fans who thought I wouldn’t rap like this again” in the same way he ivers a hilarious anecdote about an assistant crashing his matted Maybach. He also references his memorable from The College Dropout’s “Breathe in Breathe Out”—“first nigga with a Benz and a backpack”—with “a backpack nigga with luxury taste buds,” a great callback to how ably Ye can so easily identify with two different class of rappers.
Kanye still resonates after all these years by pulling you into his story, with vivid images about texting and driving and André 3000’s extended hiatus next to a about “whole family getting money, thank god for E!” That ability to connect to listeners is what sells us on the problems and lifestyles of the very, very rich, to the extent where no matter how ridiculous some of his s are (“any rumor you heard about me was true and legendary”) it feels like something we can relate to. Which is, of course, patently absurd.
And the fact that a six-minute song with a monster Kendrick verse and a painterly Madlib beat goes by in the blink of an eye reinforces how revitalized Kanye is after a spotty 2015, dropping these songs weekly (although this one was three days late) as if to prove he can still do it. Between “Real Friends” and this song is an air of the unfiltered rawness of “old Kanye” that makes you wonder if Swish will be as off-the-cuff, and, frankly, charming. We’re in for a doozy if it is.