Ghost In The Shell feels like a watered down, sterilised version of the original that has unsuccessfully attempted to become accessible by adding in certain plot points. Though I will be the first to admit that I had to Wikipedia the 1995 original after watching to cement the narrative in my head, I appreciated the way that the film didn’t hold my hand, and this version feels very much like it does that from beginning to end. Ultimately it just isn’t a particularly good film, so don’t let the flashy, at times interesting visuals fool you in to thinking that you are watching something better than you actually are.
Un jour avec, un jour sans (2015)121 min|Drama|February 17, 20167.2Rating: 7.2 / 10 from 2,388 usersMetascore: 81A married film director falls for a young painter – twice. … Read the rest
The Jungle Bo is a live-action adaptation of Disney’s famous animated film, The Jungle Bo(1967). It is also based on Rudyard Kipling’s novel of the same name. Mowgli(Neel Sethi) has lived in the jungle, for as long as he can remember. In the jungle, he is raised by a pack of wolves, led by Akela(Giancarlo Esposito). A wolf named Raksha(Lupita Nyong’o), is the only mother he has ever known. He has an ally & a friend, in a panther named Bagheera(Ben Kingsley). When the treacherous tiger Shere Khan(Idris Elba), opposes to Mowgli staying in the jungle, Bagheera has to return the man-cub to the man village. While on their journey, Mowgli & Bagheera receive help from a grizzly bear, named Baloo(Bill Murray). Now, it is up to Bagheera & Baloo to take Mowgli to the man village, safe & sound.
The “Sweet bean” movie begins with a sequence of the main character Sentaro (Masatoshi Nagase) walking up to the roof of his apartment building for a cigarette. He walks out of his apartment, up the steps, smes, walks down the steps, and back into his place. Kawase’s patient camera, keen to silently observe motion and thereby her characters’ interaction with their environment, likens this doubled movement to breathing. The story is shaped by a similar oscillation: that of night and day. It revolves around Sentaro’s small shop, where he sells dorayaki, a mouth-watering Japanese dessert consisting of sweet bean paste (the “an” of the original Japanese title) sandwiched between two pancakes, and it mostly develops through a series of days at the shop.
CONCUSSION is a compelling David Vs. Goliath story, it’s a true great American story, and it’s Will Smith’s best performance since 2006’s “The Pursuit Of Happiness” Written and directed by Peter Landesman, based on the GQ article “Game Brain,” you’ve all seen the trailer for CONCUSSION which has Will Smith playing real life accomplished forensic neuropathologist, Dr. Bennet Omalu, who discovered a disease called Chronic Traumatic Encephalopathy (CTE) which a progressive degenerative disease found in people with a history of repetitive brain trauma, and it’s commonly found nowadays in pro-football player because they get repeated bows to the head every time they play, this is a heavy contact sport, as we all know.
idnight Special is a movie about an eight-year-old boy, who develops some kind of extraordinary power.
An exceptional opening scene kicks off the story, and Nichols makes sure we are alert by forcing us to absorb and assemble the slew of clues flying at us … an Amber alert, cardboard on the windows of a cheap motel, a news report tying us to San Angelo, Texas, duct tape on the peep hole, a duffel bag of weapons, two anxiety-filled men, and a goggled-boy under a white sheet who seems extremely calm in an otherwise hectic environment. We learn a lot, yet many questions remain.
The overwhelming taboo surrounding romantic independence drives The Lobster, the latest low-key, high concept black comedy from Yorgos Lanthimos. In this us-but-slightly-different universe, if you haven’t found your “suitable partner” by a certain age, you’re turned into an animal. The pursuit of isn’t just aspirational; it’s mandated. It’s also laff-out-loud funny as translated in film’s absolute apathy, which might be oppressively bleak were it not so consistent with its low emotional intelligence. Collin Farrell’s puppy-eyed David has 45 days at a soon-to-be couples’ resort to find his match before he is turned into the titular lobster. The conceit is a winning one, but it’s mostly a dim flashbulb illuminating The Lobster’s wry commentary on the lengths we are willing to go to find that special someone (please slide into these DMs). In an uncluttered lo at the conventionally fraught language of , The Lobster dehumanizes the very myth that separates man from crustacean.