03 JUN 23 APR
From Warner Bros. Pictures and DC Entertainment comes the epic action adventure starring Gal Gadot, Chris Pine, Connie Nielsen and Robin Wright, directed by Patty Jenkins.
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers…and her true destiny.
Ghost In The Shell feels like a watered down, sterilised version of the original that has unsuccessfully attempted to become more accessible by adding in certain plot points. Though I will be the first to admit that I had to Wikipedia the 1995 original after watching to cement the narrative in my head, I appreciated the way that the film didn’t hold my hand, and this version feels very much like it does that from beginning to end. Ultimately it just isn’t a particularly good film, so don’t let the flashy, at times interesting visuals fool you in to thinking that you are watching something better than you actually are.
Beauty And The Beast very much falls in to my Cinderella pile. As comparison piece to the original animation, this live action adaptation loses each battle it tries to forge. The ability to build a world using animation makes for a much more expansive, escapist aesthetic, and this kind of world building is very much missing in the remake. Belle’s (Emma Waston) ‘small provincial town’ looks exactly like what it is, a sound stage in a warehouse somewhere in Hollywood. Things get slightly better when we get to the castle scenes, but this time the problem lies not in the look of the sets but in the look of the characters. Lumiere (Ewan McGregor), Cogsworth (Ian McKellen), Mrs Potts (Emma Thompson) and co. don’t possess half the charm of their 90s predecessors, with the focus on making the ornaments look as ‘authentic’ as possible limiting their opportunity for real expression.
This 2017 re-imagining of our beloved colourful troop tells the story of five teenagers in Angel Grove, all of whom, one way or another, you could label to be misfits and outsiders. The film absolutely has The Breakfast Club to thank for the dynamic of the group, the majority of them even meeting for the first time in weekend detention, and it’s the human, coming-of-age element of the story from a star quarterback fallen from grace to a tech geek coping with autism to a Latina struggling with her sexuality that adds a really very endearing heart to the proceedings. Massive, massive props to the film for portraying the first instances of both autistic and LGBT superheroes in a blockbuster. No matter how pedestrian or forgettable the overall package is, that is one hell of a step forward.Have you noticed how we are halfway through the review and I haven’t even mentioned the plot yet? That’s because it really, really doesn’t matter.
“The Nice Guys” takes place in 1970s Los Angeles, when down-on-his-luck private eye Holland March (Gosling) and hired leg-breaker Jackson Healy (Crowe) must work together to solve the case of a missing girl and the seemingly unrelated death of a porn star. During their investigation, they uncover a shocking conspiracy that reaches up to the highest circles of power.
Returning stars Seth Rogen, Zac Efron and Rose Byrne are joined by Chloë Grace Moretz for Neighbors 2: Sorority Rising, the follow-up to 2014’s most popular original comedy. Nicholas Stoller again directs in a film that follows what happens when the will of parenthood goes against the bonds of sisterhood.